By Robert Pondillo
Author Robert Pondillo considers Helffrich’ s lifestyles in broadcasting sooner than and after the second one global warfare, and his censorial paintings within the context of Nineteen Fifties American tradition and rising community tv. Pondillo discusses the ways in which cultural phenomena, together with the coming of the mid-twentieth-century spiritual increase, McCarthyism, the sunrise of the Civil Rights period, and the social upheaval over intercourse, tune, and formative years, contributed to a common experience that the rustic used to be morally adrift and ripe for communist takeover.
Five often-censored topics— advertisements, language, and depictions of intercourse, violence, and race— are explored intimately, exposing the impressive complexity and nuance of early media censorship. Questions of no matter if too many sadistic westerns might coarsen the USA’ s teenagers, find out how to speak about homosexuality with no utilizing the note “ homosexuality,” and the way top to promote bathroom paper with out offending humans have been on Helffrich’ s brain; his solutions to those questions contributed to shaping the printed media we all know today.
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America's First Network TV Censor: The Work of NBC's Stockton Helffrich by Robert Pondillo